Liberty
University ENGL 102 test 3 solutions answers right
How
many versions: 4 different versions
Reading Comprehension Question from the
play Everyman (lines 2279). GOD: I perceive here in my majesty, How that all
the creatures be to me unkind, Living without dread in worldly prosperity: Of
ghostly sight the people be so blind, Drowned in sin, they know me not for
their God; In worldly riches is
all their mind. They fear not my righteousness, the sharp rod. My law that I
showed, when I for them died, They forget clean, and shedding of my blood red; I hanged between two, it cannot be denied; To get them life I suffered to be dead; I healed their feet, with thorns hurt was my head. I could do no
more than I did, truly; And now I see the
people do clean forsake me. They use the seven deadly sins damnable, As pride,
covetise, wrath, and lechery Now in the world be made commendable; And thus they leave of angels the heavenly company. Every man
liveth so after his own pleasure, And yet of their life they be nothing sure: I
see the more that I them forbear The worse they be from year to year. … I hoped
well that every man In my glory should make his mansion, And thereto I had them
all elect; But now I see, like
traitors deject, They thank me not for the pleasure that I to them meant, Nor
yet for their being that I them have lent; I proffered the people great multitude of mercy, And few there be
that asketh it heartily; They be so cumbered
with worldly riches That needs on them I must do justice, On every man living
without fear. Where art thou, Death, thou mighty messenger? [Enter Death]
DEATH: Almighty God, I am here at your will, Your commandment to fulfill. GOD:
Go thou to Everyman, And show him, in my name, A pilgrimage he must … take …
And that he bring with him a sure reckoning DEATH: Lord, I will in the world go
run overall, And cruelly outsearch both great and small; Everyman will I beset that liveth beastly Out of God’s laws, and
dreadeth not folly. He that loveth riches I will strike with my dart, His sight
to blind, and from heaven to depart Except that alms be his good friend In
hell for to dwell, world without end
Question 1 Which of the following best
summarizes God’s admonition?
Question 2 Death’s vow to search for “both
great and small,” never to relax at any point, means that
Question 3 Which of the following best
summarizes the image of the world depicted in the excerpt?
Question 4 In context, the excerpt depicts
Everyman as __________.
Question 5 Why does Death use the word
cruelly?
Question 6 In Greek theater, dramatic
passages of intense grief or joy were always sung.
Question 7 The turning point of
Shakespeare's plays usually occur in scene three or four in the third act.
Question 8 Sophocles was Rome's most
prolific tragic playwright.
Question 9 The introduction to Everyman
says that the play "is in the manner of a _____ play."
Question 10 In Greek theater, a play's
divisions centered at two points: the entrance and exit of the chorus.
Question 11 According to Aristotle, the
tragic hero is good and his fall results from an act of _____
Question 12 Bolbus and Nerope are the
childless couple in Oedipus Rex who adopt a child.
Question 13 Pisistratus was the first poet
known to insert choral works between verses.
Question 14 Foreshadowing is clues
communicated by the playwright to indicate how the action of a play is going to
develop.
Question 15 Confession gives Everyman a
Question 16 Ancient Greek drama used the
deus ex machina.
Question 17 Everyman states in the play
Everyman: “Alas, shall I have no longer respite? / I may say Death giveth no
warning: /…/ Wherefore, Death, I pray thee, for God’s mercy, / Spare me till I
provided of remedy.” In this excerpt, Everyman begs for time before he must
begin his _________ process.
Question 18 Oedipus tells Kreon to give
Jokasta (a)
Question 19 A "tragic flaw" is a
fault of character such as inordinate ambition.
Question 20 The prologue of Oedipus Rex
does not
Question 21 Greek theatrical performances
included a replica of Dionysus on stage.
Question 22 In the play Oedipus the Chorus
say: “Alas the seed of men./…/ That breathe on void and are void / And exist
and do not exist?” In context, what do lines 23 — “That breathe on void and are
void / And exist and do not exist?”—mean?
Question 23 In the play Oedipus the Chorus
say: “Alas the seed of men./…/ That breathe on void and are void / And exist
and do not exist?” In context, what does the second line—“That breathe on void
and are void”—literally mean?
Question 24 The scene (skene) could not be
used for action because the audience could not see inside it.
Question 25 Oedipus admits that he has
scars on his
Question 26 Goods states in the play
Everyman: “Who calleth me? Everyman? What hast thou hast! / I lie here in
corners, trussed and piled so high, / And in chest I am locked so fast, / Also
sacked in bags, thou mayst see with thine eye, / I cannot stir; in packs low I lie. / What would ye have, lightly me say.” In
context, this best satirizes
Question 27 Antiquated drama grew out of
the religious ceremonies of the ancient Greeks.
Question 28 A function of the great chorus
was to give advice to the character on stage as well as to the audience.
Question 29 Jokasta is Teiresias' sister.
Question 30 Othello is known to be honest,
open, sincere, and overly trusting.
Question 31 Strength speaks in Everyman
saying: “You spend your speech and waste your brain.” In context, this means
that
Question 32 Denouement is the rising
action.
Question 33 Phoibus/Apollo is the god of
_____.
Question 34 The play Everyman opens with a
statement by Messenger that the “intent” of the play is “gracious / And sweet
to bear away.” This means the purpose of the play is
Question 35 Oedipus killed Jokasta.
Question 36 Othello becomes suspicious of
Desdemona, because he is manipulated by Iago and the circumstances Iago creates
for him.
Question 37 "Quem Quoeritis"
includes an exchange between Holy Women and Jesus.
Question 38 Aeschylus and Sophocles used
the annual March festival that Pisistratus instituted in 534 B.C. to initiate
many contributions to the development of drama.
Question 39 Sophocles writes during Athen's
period of greatest glory.
Question 40 Comedy exposes and ridicules
human folly. It makes us laugh.
Question 41 Jokasta in Oedipus Rex thinks
at one point that her baby
Question 42 "Hamartia" is a
criminal act committed in ignorance of some material fact or even for the sake
of greater good.
Question 43 Aristotle said that limiting the
events of the plot of a play to one revolution of the sun (24 hours) made the
play rather unrealistic.
Question 44 Sophocles served Athens as an
elected general in the army.
Question 45 Greek actors used giant masks
to indicate their character types or emotions.
Question 46 Setting can be a determining
influence of a story.
Question 47 Too much violence is depicted
on stage in Oedipus Rex.
Question 48 Everyman states in the play
Everyman: “Alas, shall I have no longer respite? / I may say Death giveth no
warning: / To think on thee, it maketh my heart sick, / For all unready is my
book of reckoning.” The main claim of this excerpt is that
Question 49 Dionysus was the god of dance.
Question 50 English drama began as an aid
to church liturgy.
Why does Death use the word cruelly?
Which of the following best summarizes
the image of the world depicted in the excerpt?
As Shakespeare matured, he learned to
develop character and outward circumstance.
Aristotle, the Greek critic, said that
a tragic hero could either be a nobleman or a common man.
The prologue of Oedipus Rex does
not
A messenger tells Oedipus that the
king's (Oedipus's) father, _____, is dead.
Knowledge warns Everyman of the
sinfulness of many of the priests
In the play Oedipus the Chorus say:
“Majestic Oedipus! / No prince in Thebes had ever such renown, / No prince won
such grace of power. / And now of all men ever known / Most pitiful is this
man’s story: / His fortunes are most changed, his state / Fallen to a low
slave’s / Ground under bitter fate.” In context, what has happened to
Oedipus?
Arion added an actor to the chorus'
music and dancing.
The comedic mask can indicate a
sneering cynicism or the lightness of humor.
Antiquated drama grew out of the
religious ceremonies of the ancient Greeks.
Greek anti-violent literary convention
dictated that Oedipus could not return to the stage once he had plucked his
eyes out
The character, Othello, only fits two
of Aristotle's three criteria for a tragic hero
A contrived "miracle" of
intervention used to solve problems is the deus ex machina
Strength speaks in Everyman saying:
“You spend your speech and waste your brain.” In context, this means that
A "tragic flaw" is a fault of
character such as inordinate ambition
Greek audiences had a knowledge of
Homer's works.
Miracle plays used variety in subject
matter and plot.
Everyman is
an extant English medieval morality play.
In 1210, Pope Innocent III moved drama
from the wagon processionals into the church buildings
The beggar in "Quem
Quoeritis" pleads that he be included in Christ's resurrection.
Which is not true of miracle plays?
All actors in Greek drama were male.
Greek actors used giant masks to
indicate their character types or emotions.
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the second line—“That breathe on void
and are void”—mean?
Death tells Everyman to take a long
journey and to bring with him
A plot complication can be the
interaction of different people.
The scene (skene) could not be used for
action because the audience could not see inside it.
Everyman states in the play Everyman:
“Alas, shall I have no longer respite? / I may say Death giveth no warning: /
To think on thee, it maketh my heart sick, / For all unready is my book of
reckoning.”
Who or what is the speaker’s main problem?
Who or what is the speaker’s main problem?
Sophocles attempted to individualize
(make more human) the heroes of Greek drama
Everyman states in the play Everyman:
“Alas, shall I have no longer respite? / I may say Death giveth no warning: /…/
Wherefore, Death, I pray thee, for God’s mercy, / Spare me till I provided of
remedy.”
In this excerpt, Everyman begs for time before he must begin his _________ process
In this excerpt, Everyman begs for time before he must begin his _________ process
In Greek theater, all roles were
performed by males.
Greek choral odes are the precursors of
Shakespearean soliloquies.
Oedipus Rex distinguishes
itself from the typical classical plot by indicating what can happen to those
who disobey, mock, or disbelieve the gods
Episodic Bible stories were the sources
of miracle plays
According to Greek theater, it is not
any extrinsic problem or challenge that determines outcome.
When Everyman becomes faint, he must
The name "Oedipus" means
swollen hand.
Sophocles' heroes develop into _____
bearers of their fate
Greek theatre invented the drop-curtain
device.
Choose one word that best describes how
the speaker feels about those of whom he speaks
In context, the excerpt depicts
Everyman as __________.
Which of the following best summarizes
God’s admonition?
The speaker characterizes the
“creatures” about whom he speaks as __________.
According to the excerpt, __________.
Sophocles did not
The name of the blind seer in Oedipus is
Kreon.
The play Oedipus opens with the
following speech by Oedipus: “… Children,/ I would not have you speak trough
messengers, / And therefore I have come myself to hear you- / I, Oedipus, who
bear the famous name. / (To a Priest.) You, there, since you are the eldest in
the company, / Speak for them all, tell me what preys upon you.” The
“Priest” may be described as
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the second line—“That breathe on void
and are void”—literally mean?
Both men and women served in the Greek
chorus.
The introduction to Everyman says
that the play "is in the manner of a _____ play."
All actors in Greek drama were male
Greek tragedy encouraged the use of
comedy and tragedy in the same play to show the duality of human nature.
Everyman states in the play Everyman:
“O that is a simple advice indeed! / Gentle fellow, help me in my necessity; /
We have loved long, and now I need, / And now, gentle Fellowship, remember me.”
This excerpt suggests that Everyman and Fellowship have been friends for a long time. They have “loved long.” Fellowship’s unwillingness to help or tarry with Everyman in his time of need (“necessity”) is unexpected and disappointing. This is an example of ___________.
This excerpt suggests that Everyman and Fellowship have been friends for a long time. They have “loved long.” Fellowship’s unwillingness to help or tarry with Everyman in his time of need (“necessity”) is unexpected and disappointing. This is an example of ___________.
According to a footnote to Everyman,
medieval theologians regarded the two tables given on Sinai as symbols of
baptism and penance respectively
A contrived "miracle" of
intervention used to solve problems is the deus ex machina
"Quem Quoeritis" refers to
Christ as the Holy Women's brother
Oedipus Rex distinguishes
itself from the typical classical plot by showing how a man might react in the
worst of circumstances.
Aristotle, the Greek critic, said that
a tragic hero could either be a nobleman or a common man.
Dionysus was the god of dance.
Tragic plots are less likely than comic
plots to exhibit the high degree of organic unity - of logical cause-and-effect
progression- that Aristotle required of tragedy.
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the second line—“That breathe on void
and are void”—mean?
Messenger speaks in Everyman saying:
“For ye shall here [hear], how our heavenly king / Calleth Everyman to a
general reckoning.” This means that
The theme of Everyman is
that life is momentary.
Antigone and Ismene are Oedipus' sons.
Decoration is a possible use for a
setting.
Morality plays bridged the gap between
Medieval drama and _____.
Greek series of plays lasted for a two
day period.
The name "Oedipus" means
swollen hand
In Greek theater, all roles were
performed by males
According to Fellowship in Everyman,
what is duty?
The play Oedipus opens with the
following speech by Oedipus: “… Children, / I would not have you speak trough
messengers, / And therefore I have come myself to hear you- / I, Oedipus, who
bear the famous name.” What is Oedipus’ perception of himself in this speech?
Othello is known to be honest, open,
sincere, and overly trusting.
Teiresias tells Oedipus that the latter
is the _____ of the country.
A function of the great chorus was to
give advice to the character on stage as well as to the audience.
Othello's major tragic flaws are his
jealousy and too trusting nature.
The chorus in Greek drama always
remains on stage.
According to Aristotle, the tragic hero
is good and his fall results from an act of _____
According to the messenger in Everyman,
the actual title of the play is:
Which is not one of the Three Unities?
In Everyman, who does not
speak
Antiquated drama grew out of the
religious ceremonies of the ancient Greeks.
Confession gives Everyman a
Messenger speaks in Everyman saying: “I
pray you all give your audience, / And here [hear] this matter with reverence,
/ By figure a moral play- / The Summoning of Everyman called it is,”
In context, the statement that the play is "By figure a moral play" means that
In context, the statement that the play is "By figure a moral play" means that
The use of the Greek chorus to divide
content is unlike modern theater where the divisions occur via the use of
separate acts
Strength speaks in Everyman saying:
“You spend your speech and waste your brain.” In context, this means that
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the first line—“Alas the seed of men”—mean?
The three unities of Greek drama (the
unities of place, time, and action) were inviolable, enforced laws imposed upon
classical drama.
Greek theater embraced a tradition in
which a character was to be "a proud bearer of his fate."
"Quem Quoeritis" includes an
exchange between Holy Women and Jesus.
In
context, the excerpt depicts Everyman as __________.
Choose
one word that best describes how the speaker feels about those of whom he
speaks.
Which
of the following best summarizes God’s admonition?
Choose
one word that best explains why the people have rejected the “multitude of
mercy” offered by the speaker?
The
speaker characterizes the “creatures” about whom he speaks as __________.
In
Greek theater, all roles were performed by males.
Greek
actors used giant masks to indicate their character types or emotions
In
the play Oedipus the Chorus say: “Majestic Oedipus! / No prince in Thebes had ever
such renown, / No prince won such grace of power. / And now of all men ever
known / Most pitiful is this man’s story: / His fortunes are most changed, his
state / Fallen to a low slave’s / Ground under bitter fate.” In context,
Oedipus’ situation can be described as _________.
Sophocles
attempted to individualize (make more human) the heroes of Greek drama.
"Hamartia"
is a criminal act committed in ignorance of some material fact or even for the
sake of greater good.
In
Greek theater, actors dressed behind a circular curtain
Ancient
Greek drama used the deus ex machina
According
to Plato, a Greek critic, a tragic hero must fall from high to low estate.
Morality
plays bridged the gap between Medieval drama and _____.
Setting
can be used as symbol
The
three unities of Greek drama (the unities of place, time, and action) were
inviolable, enforced laws imposed upon classical drama.
"Quem
Quoeritis" means "Whom Do You Seek."
Arion
added an actor to the chorus' music and dancing.
Phoibus/Apollo
is the god of _____.
The
play Oedipus opens with the following speech by Oedipus: “… Children,/ I would
not have you speak trough messengers, / And therefore I have come myself to
hear you- / I, Oedipus, who bear the famous name. / (To a Priest.) You, there,
since you are the eldest in the company, / Speak for them all, tell me what
preys upon you.” The “Priest” may be described as
The
theme of Everyman is that life is momentary.
Antigone
and Ismene are Oedipus' daughters.
Principal
characters can be static, i.e., unchanged by the plot's events.
Antigone
and Ismene are Oedipus' sons
A
function of the great chorus was to give advice to the character on stage as
well as to the audience
In
the play Oedipus the Chorus say: “Alas the seed of men./…/ That breathe on void
and are void / And exist and do not exist?” In context, what does the
second line—“That breathe on void and are void”—literally mean?
Arion
is a major contributor to Greek drama; he is the first poet known to insert
choral works between verses.
Ancient
drama grew out of the religious ceremonies of the ancient Greeks.
"Quem
Quoeritis" refers to Christ as the Holy Women's brother.
Morality
plays bridged the gap between Medieval drama and Renaissance tragedy.
Oedipus
admits that he has scars on his
Everyman
states in the play Everyman: “Alas, shall I have no longer respite? / I may say
Death giveth no warning: / To think on thee, it maketh my heart sick, / For all
unready is my book of reckoning.” The main claim of this excerpt is that
According
to the "Three Unities," action was restricted to one main action with
few or no subplots
Miracle
plays became obsolete largely from the re-emergence of Roman models of drama.
The
end of a Greek play is called Exodos.
Jokasta
in Oedipus Rex thinks at one point that her baby
Miracle
plays are religious in nature, while morality plays teach morals via secular
themes.
Antiquated
drama grew out of the religious ceremonies of the ancient Greeks.
Teiresias
tells Oedipus that he (Oedipus) will be "A blind man/…a penniless man, who…/…will
go tapping the strange earth with his staff."
According
to the messenger in Everyman, the actual title of the play is:
"Quem
Quoeritis" concerns the resurrection of Christ.
"Quem
Quoeritis" is the only extant Medieval English morality play.
In
a carefully crafted Greek play, no god ever actively impacts the outcome of a
hero's challenges.
Everyman
states in the play Everyman: “O that is a simple advice indeed! / Gentle
fellow, help me in my necessity; / We have loved long, and now I need, / And now,
gentle Fellowship, remember me.”
Based on the fact that Fellowship is not willing to help or tarry with Everyman in his time of need (“necessity”), one can argue that Fellowship is only interested in _________________.
Based on the fact that Fellowship is not willing to help or tarry with Everyman in his time of need (“necessity”), one can argue that Fellowship is only interested in _________________.
The
scene (skene) could not be used for action because the audience could not see
inside it.
In
the play Oedipus the Chorus say: “Alas the seed of men./…/ That breathe on void
and are void / And exist and do not exist?” In context, what does the first
line—“Alas the seed of men”—mean?
In
classical drama, "Orchestra" meant a place of dance
Everyman
goes with Good Deeds and Knowledge into the grave.
In
order to encourage realism all action in Greek theater had to occur within the
events of one day.
Thespis
is the first poet known to insert choral works between verses.
In context, the excerpt depicts
heaven and hell as __________.
In context, the excerpt depicts
Everyman as __________.
In context, the phrase “Everyman …
liveth beastly” means that
Choose one word that best describes
how GOD feels about those about whom He speaks
What does Everyman try to do in the
following excerpt from Everyman? “O Death, thou comest when I had thee
least in mind; / In thy power it lieth me to save, / Yet of my good will I give
thee, if ye will be kind, / Yea, a thousand pound shalt thou have, / And defer
this matter till another day.”
The Greek scene (skene) building had
no drop curtain
In the play Oedipus the Chorus say:
“Majestic Oedipus! / No prince in Thebes had ever such renown, / No prince won
such grace of power. / And now of all men ever known / Most pitiful is this
man’s story: / His fortunes are most changed, his state / Fallen to a low
slave’s / Ground under bitter fate.” The speaker uses opposites in this
excerpt. This is an example of the use of ________________.
Greek theater embraced a tradition
in which a character was to be "a proud bearer of his fate."
A "tragic flaw" always
results in a complete loss
In Greek theater, all roles were
performed by males
Everyman states in the play
Everyman: “O that is a simple advice indeed! / Gentle fellow, help me in my
necessity; / We have loved long, and now I need, / And now, gentle Fellowship,
remember me.”
Based on the fact that Fellowship is not willing to help or tarry with Everyman in his time of need (“necessity”), one can argue that Fellowship is only interested in _________________.
Based on the fact that Fellowship is not willing to help or tarry with Everyman in his time of need (“necessity”), one can argue that Fellowship is only interested in _________________.
Sophocles served Athens as an
elected general in the army
The Greeks were a war-like culture
and enjoyed seeing bloodshed on the stage
There is at least one evidence of
Parodos in Oedipus Rex.
According to Aristotle, the tragic
hero is good and his fall results from an act of _____
Sophocles attempted to individualize
(make more human) the heroes of Greek drama
When the chorus enters in a Greek
play, it is called the parados
Oedipus Rex distinguishes itself from the typical classical
plot by presenting a complicated circumstance in order to show that life is
complicated
Miracle plays allow for a wider
array of characters than do classical dramas.
In Greek theater, dramatic passages
of intense grief or joy were always sung.
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the first line—“Alas the seed of men”—mean?
Oedipus' daughters (in the play Oedipus
Rex) are a good example of the use of mute actors in ancient Greek drama.
Oedipus speaks of _____ as seer and
student of mysteries
In the play Oedipus the Chorus say:
“Majestic Oedipus! / No prince in Thebes had ever such renown, / No prince won
such grace of power. / And now of all men ever known / Most pitiful is this
man’s story: / His fortunes are most changed, his state / Fallen to a low
slave’s / Ground under bitter fate.” In context, Oedipus’ situation can
be described as _________.
Sophocles' heroes develop into _____
bearers of their fate.
Everyman states in the play
Everyman: “O that is a simple advice indeed! / Gentle fellow, help me in my
necessity; / We have loved long, and now I need, / And now, gentle Fellowship,
remember me.”
This excerpt suggests that Everyman and Fellowship have been friends for a long time. They have “loved long.” Fellowship’s unwillingness to help or tarry with Everyman in his time of need (“necessity”) is unexpected and disappointing. This is an example of ___________.
This excerpt suggests that Everyman and Fellowship have been friends for a long time. They have “loved long.” Fellowship’s unwillingness to help or tarry with Everyman in his time of need (“necessity”) is unexpected and disappointing. This is an example of ___________.
The three unities of Greek drama
(the unities of place, time, and action) were inviolable, enforced laws imposed
upon classical drama
Tragic plots are less likely than
comic plots to exhibit the high degree of organic unity - of logical
cause-and-effect progression- that Aristotle required of tragedy.
The play Oedipus opens with the
following speech by Oedipus: “… Children,/ I would not have you speak trough
messengers, / And therefore I have come myself to hear you- / I, Oedipus, who
bear the famous name. / (To a Priest.) You, there, since you are the eldest in
the company, / Speak for them all, tell me what preys upon you.” What
does Oedipus mean when he says, “tell me what preys upon you”:
Goods says in the play Everyman:
“For my love is contrary to the love everlasting. / But if thou had loved
moderately during, / As, to the poor give part of me, / Then shouldst thou not
in this dolour be, / Nor in this great sorrow care.” What does he mean?
Jokasta is Teiresias' mother
The scene (skene) building was three
stories tall housing equipment and wardrobe on floors one and two and using the
third floor to portray the heavens.
In the play Oedipus the Chorus say:
“Alas the seed of men./…/ That breathe on void and are void / And exist and do
not exist?” In context, what does the second line—“That breathe on void
and are void”—mean?
Everyman scourges himself to avoid
purgatory.
"Quem Quoeritis" is the
only extant Medieval English morality play
Desdemona is as dishonest as Iago.
Everyman states in the play
Everyman: “ O gracious God, in the high seat celestial, / Have mercy on me in
this most need; / Shall I have no company from this vale terrestrial / Of mine
acquaintance that way to me lead?”
In this excerpt, Everyman pleads to God for ________.
In this excerpt, Everyman pleads to God for ________.
Which is not one of the Three
Unities?
Greek choral odes find their roots
in early religious worship of Dionysus
With the decline and fall of Rome,
drama - either as an institution or a literature - ceased to exist.
In Everyman, Discretion is
much like Faithful in John Bunyan's Pilgrim's Progress.
Everyman states in the play
Everyman: “Alas, shall I have no longer respite? / I may say Death giveth no
warning: /…/ Wherefore, Death, I pray thee, for God’s mercy, / Spare me till I
provided of remedy.”
In this excerpt, Everyman begs for time before he must begin his _________ process.
In this excerpt, Everyman begs for time before he must begin his _________ process.
A "tragic flaw" is a fault
of character such as inordinate ambition.
According to Fellowship in Everyman,
what is duty?
Strength speaks in Everyman saying:
“You spend your speech and waste your brain.” In context, this means that
Antiquated drama grew out of the
religious ceremonies of the ancient Greeks.
According to Greek theater, it is
not any extrinsic problem or challenge that determines outcome.
Jokasta is Oedipus' sister
Principal characters can be static,
i.e., unchanged by the plot's events.
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